True highlights include “Tears and Rain,” a fairly simple, but truly heartfelt tune. The album opening “High” is slightly lacking but still enjoyable, and the mid-album tracks hold up well enough after repeated listens. Clocking in at an average ten tracks, there are barely any truly weak tracks to be found here.
I can’t seem to argue much-the song is both catchy and strong and makes a fair introduction to Blunt’s direction and style. If I’m not mistaken, the second track on the record, “You’re Beautiful,” is being released as the first single. Sadly, accompanying this album across the continents also comes the hype that Blunt has garnered in Europe as the ‘next-even-bigger thing than before.’ But, I’m happy to say that once you rip all the press kits, Rolling Stone spotlights, and comparisons away a strong record, and a strong musician really does lie at the heart of this project. Taking everyday heartache, as well as vague-ish political woes and critiques into account for song fodder Blunt delivers quite an entertaining collection of songs. He traded in his gun for a guitar and the grueling life of military service for the grueling life of a touring musician. Both comparisons are actually pretty accurate but his voice holds an almost spot-on similarity to one of the most overlooked talents in indie music today: Angie Aparo.Īs I mentioned earlier, heralding from England, Blunt garnered his label-contract nearly directly after leaving the British Army. I had first heard of Blunt when he was featured in Rolling Stone’s fairly recent “Artists to Watch” feature-he caught my attention for the never-ending comparisons to the immensely talented Elliott Smith, and Irish wunder-fellow Damien Rice. Already a media darling back in his homeland of Great Britain, singer-songwriter James Blunt has finally made his long-threatened stateside debut.
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